Tamsin Elliott & Tarek Elazhary

Tamsin’s award-winning collaboration with Egyptian oud player Tarek Elazhary explores the parallels and celebrates the idiosyncrasies of Egyptian Maqam music and English folk traditions. Their friendship and resulting duo album So Far We Have Come is a testament to the unifying power of music, and won them a place in The Guardian’s Top Ten Folk Albums of 2023, as well as a nomination for Best Group at the Songlines Music Awards.

Their work has captured the attention of critics and audiences alike, praised for its innovative blend of quartertone accordion, lever harp and oud. Hailed by The Observer as "a poised, atmospheric fusion delivered by two master players”, their music transcends borders, inviting listeners on a mesmerising journey through landscapes both familiar and foreign. 

Long before Tamsin began work on her critically acclaimed solo album FREY (Penny Fiddle Records, 2022), she spent several months in Egypt embarking on an exploration of Arabic music, during which she met Tarek on the Cairo live scene. When international travel was permitted again following the COVID
lockdowns, she began to discuss plans with Tarek to bring him to the UK for a return visit, and to make the collaborative album they had dreamed of creating together.

So Far We Have Come is a testament to their personal and musical perseverance, and a statement of hope and resistance during troubled times. Tamsin explains that “the title of our debut album was born out of a conversation about the progress that has been made in women’s rights in Egypt and the UK. We see how much has changed, and yet how far we have to go - and this echoes across ecological crises, geopolitical tensions, racism and societal disconnection. So Far We Have Come also reflects the distance and barriers we have overcome to create this work together.”

At the heart of the project is a mutual respect for the specifics - for the days, places and practices that make up the fullness of a life. There is a deep sense of locality imbued in every stage of the work: the artists visited each other’s cities, participated in each other’s everyday cultures and, over time, taught each other the intricacies of their respective folk idioms.

Yet, behind all the curiosity and fervour of making an album, their shared creative process has been subject to the pressure and constraints imposed by inflexible systems that still regard all immigration of Global Majority musicians - even on temporary visits - with suspicion and hostility.

So Far We Have Come is a demonstration of what it means to pursue a collaborative idea across a grid of diplomatic bureaucracy born of colonial violence and racism, whilst maintaining a belief in the necessity of social and political change, so often only reachable through the world we imagine in art. Tamsin and Tarek are grateful for the financial and logistical support of EFDSS and Help Musicians in making this collaboration possible.

Tamsin Elliott & Tarek Elazhary - El Hara

The lead single from Tamsin Elliott & Tarek Elazhary's debut album 'So Far We Have Come', El Hara opens with a striking Oud melody and swells to full expression as Tamsin joins on accordion, followed by her brother and producer Rowan Elliott on viola and Ricardo de Noronha on percussion.

“El Hara refers to a tiny alleyway bustling with life in the old part of Cairo”, Tarek remarks, “and this is a really Egyptian-feeling piece.”

Tamsin Elliott & Tarek Elazhary -
Hope Is The Thing With Feathers

Hope Is The Thing With Feathers , the second single from Tamsin & Tarek's debut album So Far We Have Come, takes it's title from the Emily Dickinson poem of the same name.

"[Hope Is The Thing With Feathers] evokes an atmosphere of sublime melancholy"
- Folk Radio UK

Tamsin Elliott & Tarek Elazhary -
The Returning Light // Late Frost

'The Returning Light // Late Frost' is a joyful, driving set of jigs, unique for featuring the sparkling sound of Tarek's oud. The tunes are held buoyant by the brilliant playing of Archie Churchill-Moss Musician (guitar) and Sam Sweeney (fiddle).

"A sparkling, fizzing tune and a sublime example of how tradition is flexible" - Tradfolk

Tamsin Elliott & Tarek Elazhary - Lamma Bada Yatathanna لما بدا يتثنى

The beautiful melody of ancient Muwashshah
(Arab-Andalus poem-song) 'Lamma Bada Yatathanna' performed at The Greenbank, Bristol, 2023.

Tarek Elazhary - Arabic oud
Tamsin Elliott - lever harp
Ziad Hisham - riq
Rowan Elliott - violin

Gathering, Parting (When Bright Shines the Moon)

A new composition for lever harp, oud and percussion 

Tamsin Elliott - harp, composition
Tarek Elazhary - oud
Salma Amr - percussion
Hesham Al Qersh - dance

Recorded between El Warsha, Cairo by Ahmad Kubbara and Wales by Sid Goldsmith; mixed by Sid Goldsmith
Filmed and edited by Tamsin Elliott 

Coyí d'un Artu una Flor

Traditional Asturian Tonada, arranged for flute, oud and percussion. Egypt, January 2020

Tamsin Elliott - flute
Tarek Elazhary - oud
Salma Amr - riq

Recorded by Ahmad Kubbara at El Warsha, Cairo
Mixed by Sid Goldsmith

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